With its distinctive three-panel interface, this Pro Soloist is far more than a preset synth. Pro Soloist also supports a split keyboard mode and an option to simulate polyphonic aftertouch with a monophonic aftertouch controller for more expressive performance possibilities beyond the standard touch sensor effects. Cherry Audio has added a dual-layer voicing architecture, with 16 polyphonic voices per layer, that enables two different presets simultaneously, with independent panning for rich stereo timbres and complex, layered sounds. He has programmed an incredibly authentic reproduction of the analog signal path and original presets, and together we have substantially expanded the Pro Soloist’s capabilities. The track “The Cinema Show” on the 1973 album Selling England by the Pound showcases many of the Pro Soloist’s presets building up to his epic solo featuring the “Fuzz Guitar 1” preset.Ĭherry Audio has received frequent requests to reproduce this oft-forgotten gem - one of those came from frequent collaborator Mark Barton (GX-80, Novachord + Solovox, Miniverse, and others). Most notable was Tony Banks of Genesis, for whom the Pro Soloist was his first synthesizer. This was heady stuff in the early 70s, and the Pro Soloist proved popular with musicians for its ability to rapidly emulate lead instrument sounds such as horns, strings, woodwinds, and more.ĭespite its association with progressive rock, the Pro Soloist was popular with acts as varied as Tangerine Dream, Gary Numan, Kansas, Herbie Hancock, Patrick Moraz, Styx, John Entwistle, Parliament, Billy Preston, Vangelis, David Bowie, Brian Wilson, the Ohio Players, Chick Corea, Prince, and Josef Zawinul. Specifically, the Pro Soloist’s touch sensor controls enabled pitch bend, wow, growl, brilliance, volume, and vibrato. Most impressive was the introduction of an innovative “touch sensor” keyboard (now commonly known as aftertouch), where pressing harder after playing a note introduces changes to the sound, allowing highly expressive playing. In 1972, ARP followed it up with the Pro Soloist, updating the analog preset control with revolutionary digital read-only memory chips (which improved tuning stability) and expanding the preset selection to 30. ARP led the charge in 1970 with the Soloist, the first commercial preset synthesizer, featuring 18 presets and basic controls. To avert potential user intimidation and bring synthesis to the masses, manufacturers introduced simple monophonic preset synths that were intended to sit atop an organ. Death rattle: Reassuring harbinger of imminent death or a perfect example of inadequacies in evidence-based practice.At the beginning of the 70s, analog synthesizers were just making their way into the hands of working musicians, and their operation was still a mystery to most folks outside of a college music lab. Understanding relatives’ experience of death rattle. Updates in palliative care – recent advancements in the pharmacological management of symptoms. ![]() ![]() Hydration and symptoms in the last days of life. End of life: Providing care and comfort at the end of life.Changes in the last hours and days: End of life care.You can learn more about how we ensure our content is accurate and current by reading our editorial policy. We link primary sources - including studies, scientific references, and statistics - within each article and also list them in the resources section at the bottom of our articles. Medical News Today has strict sourcing guidelines and draws only from peer-reviewed studies, academic research institutions, and medical journals and associations.
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